This series of photographs explores the often unconscious choreography that unfolds when visitors encounter Antony Gormley's sculptures. It reveals the varied and instinctive ways people navigate the space around these silent, stoic forms—some maintaining a respectful distance as though honouring the figures' presence, others drawn irresistibly close to examine details and textures.

What emerges is a fascinating study of human behaviour in the presence of art that so closely resembles ourselves: the hesitations, the double-takes, the moments when visitors unknowingly adopt poses that mirror the sculptures around them.